I Lied

I'm doing another batch review. These are all critically acclaimed albums that other people have done a great job of reviewing. I am not going to waste your time and my time talking about how great they are when there are countless articles speaking about how great they are.
Some of these albums are fucking old, but they are still important.

TOOL -- LATERALUS
I'm not going to say a whole lot. If you do not know this album, at least one single from this album, you are ridiculous and should have your life examined. It is extremely heavy, emotionally and musically, and extremely influential.

BECK -- MIDNIGHT VULTURES
Personal favourite to play in a store because no one actually knows when this album came out. Tongue and cheek lyrics litter this funk infused marvel of funky soundscapes. This is a great soundtrack to a good day. It is an even better soundtrack to make fun of a sexy night. If you have a friend that brags about getting laid often, and we all have at least one of those friends, this is a great thing to play behind everything they say. Side note, if you cannot think of who that friend is, it may be you. Well, that, or you have very reserved friends. Or no friends. That is cool, to.

And yes, this is my favourite video. Possibly ever.

BELLE AND SEBASTIAN -- FOLD YOUR HANDS CHILD, YOU WALK LIKE A PEASANT
Chamber pop, chamber pop, oh--laady laady laady..
This album defines what it means to be a British Lord. It is quiet and polite, yet speaks of horrible horrible things. Things like masturbating in public, war, relationships, blunt sexual acts, and homosexuality. It is so fucking awesome. The lyrics actually make one look up and say "uh... Did he just say what I think he said?" GUSH GUSH GUSH GUSH listen to this album GUSH GUSH GUSH GUSH.
CHANGE OF PACE. They can also be incredibly insightful and brutal. I Fought In A War is one of the greatest anti-war anthems to ever exist.

BOARDS OF CANADA -- MUSIC HAS A RIGHT TO CHILDREN
This album defies anything you know about anything. The only words and weird sound clips. The music sounds like a seventies soundtrack. Best on vinyl.

BRAND NEW -- THE DEVIL AND GOD ARE RAGING INSIDE ME
Fucking fuck. This album is so depressing, it should be illegal. Don't get me wrong: This album, lyrically and musically, will always be everything I wish to aspire to as a musician. I have always felt like I have not done enough for the music industry as a whole because I have not created something this great. I cannot even listen to the album while I write this because I will get sucked in by its haunting atmosphere and brilliant narrative. I almost do not want to FIND a track off this because it will break up the tension that this album generates. But I will. Just for you.

FLAMING LIPS -- YOSHIMI BATTLES THE PINK ROBOTS
The polar opposite from the other album I brought up. This album is about a small Japanese girl and her battle with giant pink monster robots from the planet Mars. It is fun, strange, and a roaring good time.

GODSPEED YOU! BLACK EMPEROR -- F# A# (INFINITY)
Only three tracks. Only amazing. The world this album creates is just haunting and robust. Incredibly minimalist, but very, very bleak. The phrase "Chamber-Punk" was coined to describe what this could be considered. It is similar to classical, but all the musicians learned their instrument while composing these songs. This is a great soundtrack to a man, sitting in a chair, smoking a cigar, not talking.

KING COBB STEELY -- MAYDAY
This album was a random find a while ago. I heard the song "Below The Stars" while randomly channel surfing one day. They are this odd combination of jazz and electronica. Rather unlike anything I have ever heard before, ten year old me took note sub consciously. I eventually found the album and I have not really stopped listening to it since.

ISIS -- IN THE ABSENCE OF TRUTH
This album has a great flow to it. I saw this band open for TOOL in Toronto. They moved a lot more than I could while keeping count to time signatures I would have a hard time following, let alone writing.

NINE INCH NAILS -- THE DOWNWARD SPIRAL (2004 dlx edition)
Incredibly influential. The first disc is the classic industrial album in all its glory, and the second disc was remixes and b-sides that may or may not have been released in the ten year window. I would not recommend the deluxe if you are not a huge fan or if you really do not care about high definition releases. This collection is still one of my favourites. Yes, Trent Reznor wrote Hurt. No, 'I WANNA FUCK YOU LIKE AN ANIMAL' is far from the sexiest line ever. No, that song is not actually about sex.

Fuck. I really do love writing this way. How many times now have I said "I WILL NEVER DO THIS AGAIN" but I just keep doing it? I have knocked my list from four and a half days worth of music down to two point seven days. That feels much better. I will continue to do my favourites. I'm having a lot of fun just listening to these with purpose further than "hurr gud musics hurr."

I do have two new albums, thanks to Jemma. I will talk about those soon. I will also have a huge health update as soon as I have hit some sort of milestone that other people may care about.

I will note that it was getting embarrassing, updating my Facebook with "I HAVE UPDATED MY BLOG" over and over again. So, I am no longer advertising. If you have found it on your own, or you actually like reading, please drop me a line some how. I would love to hear something from you. I am only MILDLY douchy...

I'm the worst fan in the world and you should probably forget that I exist.

That title is a message for Trent Reznor. I'm okay with the idea that he will never see it. If he does, well, I have some explaining to do.

Dear Trent, I do like the new album. I had to get that out of the way before you started to worry that I had turned my back on you. The title is actually more about the fact that I actually forgot that the new Nine Inch Nails album had some out on the third. Worry not, oh person I have nothing but great respect for; you got my money before 5 o'clock on the fourth. I actually really like Hesitation Marks. I am a bit surprised by the change and the fact that I still like it, but there are several good reasons for that.

Well, my friend (I wish Trent and I were friends), the first reason is that I came in a bit late. It was mid 2003 and I was just about to wrap up my first year of high school. My good buddy Chris was talking to me about his favourite NIN albums and I had to sheepishly let him know that I had never heard of them. After I wiped the blood from my head, he proceeded to tell me about the albums and how The Fragile may just be the last thing you ever do. He lent me The Fragile and told me to look into The Downward Spiral if I liked what I heard. Well, I kind of fell in love with everything that I heard.
I remember doing some research and reading about how The Fragile split a good portion of the fan base; people either saw it as brilliant or too much of a departure. It was around the time that I found the Broken Ep that I started to see just how diverse your music could get. I think that because this is where I came in, I find it really easy to just accept that I'm looking at another side of Nine Inch Nails. I mean, within two years of me hearing my first tracks, With Teeth was released.
So, on that note, let's look at how that progression went (in pretentious genre specific terms):
1988-91; Everything surrounding Pretty Hate Machine. Very 80's industrial mixed with 80's pop.
1992-94; Broken & Fixed. Very hard and loud. Inspired from things closer to Ministry as opposed to Skinny Puppy. Took notes from The Pixies' "loud quiet loud quiet loud" formula.
1994-96; Downward Spiral and all those Ep's. Very dirty and grungy sounding. Adrien Belew added so much to the soundscapes and general feel. Much experimentation. Felt like there was more purpose behind every song that there probably was.
1997-98; Perfect Drug. Pretty cool song, but it was definitely different from what was done and what was soon to come.
1999-2005; The Fragile and & All That Could Have Been. The Fragile is one of my favourite albums of all time and followed by easily one of the best live DVD's of all time. The new sound used more soundscapes and noise instead of hooks. Seriously though, Just Like You Imagined? My good fuck that is some brilliant shit!
Because there was a dramatic decline in the space between albums, it seems like a lot of people just kind of clump the albums together. With Teeth is far more straight up electronica than the subsequent albums. Year Zero & The Slip are in the same universe conceptually, but The Slip definitely took a tonne of pages from Ghosts.

Well, Mr. Reznor, that brings us right up to the new album. I was actually very surprised to hear the direction you went in. I don't know how I feel about a drum machine album, if I'm being completely honest. Barring that, this album feels like you took the entire career you have had over the last 25 years and smashed it into 14 songs. I am currently on my third run through of the album and I am finding myself really torn over a few points.
Someone described this album to me as "NIN with less angst." I can't quite argue that, but there is something other than suicidal lyrics missing from this collection of new songs. The entire mix is very clean and very minimalistic. Yes, the soundscapes are still there. Yes, there are still a billion layers to every twelve seconds of music. There are these parts where all the additional overlays and effects are all dropped, however. This gives parts of the album a demo-esque feel. It's almost like some of the songs were never taken to studio. To make it clear: I don't consider this a bad thing. This has given some of the lines more power because there is such an honest feel about the album. Everything has the warmth and glow that can only be created by someone who actually loves what they are doing. I know someone is going to say that a song like Everything is a pop single, but we are talking about Nine Inch Nails here. If any of the fan base had heard that song on the radio before picking up the album, the sales would be so dismal that he would HAVE to rerelease every album ever remastered with bonus awesome to make up for the loss. The fact that Everything still made the cut lets me feel like my point is valid. Though I am curious about what was dropped, I really do think that this is the way the album was intended to be released.
But in all seriousness, the intro to Satellite pisses me the fuck off.

In conclusion, Trent (Can I call you Trent? Can I call you ever? Just one cup of coffee and you telling me how everything works?), I am a proud owner of Hesitation Marks. I know that you are getting praise from everywhere, but as a fan I am happy. Now, could you just please get me tickets to one of the shows on the upcoming tour? I missed out by a day or two.

-J